Contemporary theatre, like museums and recently libraries, has evolved both as a building and as an institution in a complex form that contemplates cultural and commercial initiatives and no longer an exclusive use: it is in itself a multifunctional space.
The theater-building, particularly in small and medium-sized cities, becomes an institution that, on the one hand, offers everyone a sense of belonging to a community and, on the other, as in the tradition of French theater, becomes a kind of public living room where, during various shows, events, meetings, and demonstrations, people meet to talk and live a social life. The project is fundamentally based on a double spatial criterion: the promiscuity of the spaces between them (major room, minor room, open-air room) and the adaptability, fit-out and transformability of the major room.
The three rooms create great flexibility and multiplicity of use of the building, being able to simultaneously serve a single event with differentiated space requirements (meetings, conferences, congresses, public meetings, etc.) or operating independently for different and contemporary activities (shows, educational activities, school essays, presentations, exhibitions, parties, rehearsals, etc.).